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Wayne Youle
Wayne Youle (born 1974, Titahi Bay, Porirua) is a New Zealand artist of Ngapuhi, Ngati Whakaeke and Ngati Pakeha descent. His bicultural heritage is reflected in his work, addressing issues of identity, race and the commodification of cultural symbols. He often uses humour to make his point.〔Dekker D. ("Wayne Youle Breaks Down Artistic and Literal Boundaries" ) Stuff website, New Zealand, 10 December 2012. Accessed 16 January 2014.〕 Youle's work is held in national museums and public galleries. He lives and works in Amberley, New Zealand.〔("Wayne Youle tickets, concerts, tour dates, upcoming gigs." ) New Zealand Herald, 26 October 2013. Accessed 16 January 2014.〕〔() The Big Idea website, New Zealand.〕
== Themes and style ==
In 1999, Youle received a Bachelor of Design, majoring in typography, from Wellington Polytechnic Design School, New Zealand.〔(Wayne Youle so they say stunning new work atrium." ) Art Gallery website, New Zealand〕 His graduate show featured the words ''cultural blindness test'' in a series of diminishing letters like those on an optician's chart.〔Brown W. "Seen this century." Random House, New Zealand, 2009 p412 – 415.〕 His work incorporates clean lines, shapes, symbols and typography, repetition and recurrent motifs using a variety of materials and new technologies in 3D objects, sculpture, installation, graphite and ink drawings, photography, painting and tattooing.〔Caughey E. "Contemporary New Zealand art 5." David Bateman 2008, p54 – 57.〕〔Pataka Museum of Arts and Cultures education resources, 2009.〕
Youle's works explore historical and current perceptions of Maori culture to question stereotypes and cultural traditions. For example, in ''Twelve Shades of Bullshit'', silhouettes have been created in various shades of brown from illustrations of Maori drawn by early European explorers and artists. The work explores historical representations of Maori in New Zealand art and also comment on the various skin colours of contemporary Maori after 160 years of intermarriage.〔
Youle references the influence of other New Zealand artists in his work including Gordon Walters, Billy Apple, Shane Cotton, Peter Robinson, Ronnie van Hout and Michael Parekowhai, and Ricky Swallow of Australia.
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